I perceive it as an inward wave, a force leading me to a particular point. Starting my work sited by the grand piano, when everything else around disappears and only the electric bulb is glimmering hypothetically, I know and I am pretty sure that I am on the right path and something beautiful is going to beget! There is another crunch moment for me as a composer – constant meetings with numberless folklore untapped talents I have taught. They brought me their visceral natural perception and in a practical manner had shown me the real path every Bulgarian composer must follow. Happily this coincided with my first acquaintance with Bulgarian folklore with its universe vibes, uniqueness and direct link with the contemporary music flow, leaving academism and dry theories behind. I found there my true path my professional path should goes, because Bulgarian folklore is for me a versatile source of ideas and a strong base of my style. Man has high respect by the man-creator-people-link and the historic destiny of this nation. A folklore expedition comes back with about 120000 distinct songs and melodies here vs 50-60 in other European countries. The aesthetic value of this art is unique and it does not have even a single template.
| Published in |
International Journal of Literature and Arts (Volume 3, Issue 5-1)
This article belongs to the Special Issue Musical Theory, Psychology, Pedagogy and Performing |
| DOI | 10.11648/j.ijla.s.2015030501.16 |
| Page(s) | 43-49 |
| Creative Commons |
This is an Open Access article, distributed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution and reproduction in any medium or format, provided the original work is properly cited. |
| Copyright |
Copyright © The Author(s), 2015. Published by Science Publishing Group |
Composer, Bulgarian Folklore, Chamber Music, Choral Music, Piano Music, Works for Symphony Orchestra
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| [2] | Galabov, Zdr. Plovdiv's faces. Plovdiv, 2007 (Гълъбов, Здр. Лицата на Пловдив. Пловдив, 2007) |
| [3] | Gaytandziev, G. Alexzander Krastev. Sofia, 1962 (Гайтанджиев, Г. Александър Кръстев. София, 1962) |
| [4] | Hristov, D. The monody in composition invetions today. Sofia, 2005 (Христов, Д. Монодията в композиторските инвенции днес. София, 2005) |
| [5] | Kouhjumdzhiev, U. Original presence in contemporary music. Plovdiv, 1986 (Куюмджиев, Ю. Оригинално присъствие в съвременната музика. Пловдив, 1986) |
| [6] | Krastev, A. Historical progress in music education. Sofia, 1921 (Кръстев, Ал. Исторически развой на обучението по музика. София, 1921) |
| [7] | Palieva, A. Homo musicus (Between the Balkans and Europe). Sofia, 2006 (Палиева, А. Homo musicus (между Балканите и Европа). София, 2006) |
| [8] | Stohyn, W. Folklore songs from Western lands. Sofia, 1959 (Стоин, В. Народни песни от Западните покрайнини. София, 1959) |
| [9] | Stohyn, W. Folklore songs from Middle North Bulgaria. Sofia, 1932 (Стоин, В. Народни песни от Средна Северна България. София, 1932) |
| [10] | Vassilev, M. Bulgarian folklore instruments orchestra. Plovdiv, 2009 (Василев, М. Оркестърът от български народни инструменти. Пловдив, 2009) |
APA Style
Nikolay Ivanov Stoykov. (2015). Nikolay Stoykov's Vision about the Composer and the Universe. International Journal of Literature and Arts, 3(5-1), 43-49. https://doi.org/10.11648/j.ijla.s.2015030501.16
ACS Style
Nikolay Ivanov Stoykov. Nikolay Stoykov's Vision about the Composer and the Universe. Int. J. Lit. Arts 2015, 3(5-1), 43-49. doi: 10.11648/j.ijla.s.2015030501.16
AMA Style
Nikolay Ivanov Stoykov. Nikolay Stoykov's Vision about the Composer and the Universe. Int J Lit Arts. 2015;3(5-1):43-49. doi: 10.11648/j.ijla.s.2015030501.16
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Download@article{10.11648/j.ijla.s.2015030501.16,
author = {Nikolay Ivanov Stoykov},
title = {Nikolay Stoykov's Vision about the Composer and the Universe},
journal = {International Journal of Literature and Arts},
volume = {3},
number = {5-1},
pages = {43-49},
doi = {10.11648/j.ijla.s.2015030501.16},
url = {https://doi.org/10.11648/j.ijla.s.2015030501.16},
eprint = {https://article.sciencepublishinggroup.com/pdf/10.11648.j.ijla.s.2015030501.16},
abstract = {I perceive it as an inward wave, a force leading me to a particular point. Starting my work sited by the grand piano, when everything else around disappears and only the electric bulb is glimmering hypothetically, I know and I am pretty sure that I am on the right path and something beautiful is going to beget! There is another crunch moment for me as a composer – constant meetings with numberless folklore untapped talents I have taught. They brought me their visceral natural perception and in a practical manner had shown me the real path every Bulgarian composer must follow. Happily this coincided with my first acquaintance with Bulgarian folklore with its universe vibes, uniqueness and direct link with the contemporary music flow, leaving academism and dry theories behind. I found there my true path my professional path should goes, because Bulgarian folklore is for me a versatile source of ideas and a strong base of my style. Man has high respect by the man-creator-people-link and the historic destiny of this nation. A folklore expedition comes back with about 120000 distinct songs and melodies here vs 50-60 in other European countries. The aesthetic value of this art is unique and it does not have even a single template.},
year = {2015}
}
TY - JOUR T1 - Nikolay Stoykov's Vision about the Composer and the Universe AU - Nikolay Ivanov Stoykov Y1 - 2015/06/30 PY - 2015 N1 - https://doi.org/10.11648/j.ijla.s.2015030501.16 DO - 10.11648/j.ijla.s.2015030501.16 T2 - International Journal of Literature and Arts JF - International Journal of Literature and Arts JO - International Journal of Literature and Arts SP - 43 EP - 49 PB - Science Publishing Group SN - 2331-057X UR - https://doi.org/10.11648/j.ijla.s.2015030501.16 AB - I perceive it as an inward wave, a force leading me to a particular point. Starting my work sited by the grand piano, when everything else around disappears and only the electric bulb is glimmering hypothetically, I know and I am pretty sure that I am on the right path and something beautiful is going to beget! There is another crunch moment for me as a composer – constant meetings with numberless folklore untapped talents I have taught. They brought me their visceral natural perception and in a practical manner had shown me the real path every Bulgarian composer must follow. Happily this coincided with my first acquaintance with Bulgarian folklore with its universe vibes, uniqueness and direct link with the contemporary music flow, leaving academism and dry theories behind. I found there my true path my professional path should goes, because Bulgarian folklore is for me a versatile source of ideas and a strong base of my style. Man has high respect by the man-creator-people-link and the historic destiny of this nation. A folklore expedition comes back with about 120000 distinct songs and melodies here vs 50-60 in other European countries. The aesthetic value of this art is unique and it does not have even a single template. VL - 3 IS - 5-1 ER -
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